Revival

Gypsy Brydge - Blistering Rock n' Roll Debut "Up Jumped the Devil"

Long haired dudes from Hamilton. This power trio play serious rock n’ roll that ranges from glam rock to the blues. You can hear this on their debut single “Up Jumped The Devil” which features a harmonica intro, a KISS inspired party rockin’ verse, shredding interludes and a thrash solo. Crank it up! Their next gig is at Stonewalls in Hamilton on February 29th. – Kris Gies

   

Jam FLEXÏ’s varied noisy debut “EP I,” plays Our Wicked Lady 12.4

Post-punk outfit FLEXÏ’s debut effort EP I is a scorching affair, marked by aggressive deadpan vocal performances, acid-washed guitars, and a seemingly unstoppable momentum. Starting on a stuttering, syncopated invocation of the trio’s proclivity for asynchronous instrumental lines and a screaming vox (“Post Synapse”) and concluding with tactile, nearly spoken word trudge on closer “No Sense in Reason,” FLEXÏ explore a range of noise throughout the extended play’s six tracks, never letting their sound get stale. Listen below, and catch them on December 4th at Our Wicked Lady, supporting BRNDA, Fat Heaven, and Dougie Poole. Photo by Joe Saturday (via Instagram)

   

Happy Birthday, Deli Magazine New England!

There are so many things to be grateful for today: family, friends, good food, good times. Here at Deli New England, we are grateful for one more thing, and that is the opportunity to cover New England’s always-thriving music scene. For ten years, we have been privileged to witness the rise of talented artists from Connecticut’s New York border to Maine’s Atlantic seaboard. Since the birth of this branch, on this date ten years ago, we have had our many editors explore with delight hip-hop acts, indie-pop darlings, rock-punks, and so much more. Below you will find nine posts from different editors of this magazine over the last ten years. A big thank you to Meghan Chiampa for kicking off this journey and letting me know of the special occasion at hand. Happy holidays and happy reading! - Rene Cobar

Meghan Chiampa on Brendan Hogan (2010)

Chrissy Prisco on Boy Without God (2011)

Dean Shakked on High Pop (2012)

Jake Reed on Deja Carr (2013)

Daniel McMahon on Here We Just Dream (2014)

Zach Weg on And the Kids (2015)

Olivia Sisinni on Dreamtigers (2016)

Cameron Carr on Clairo (2017)

Lilly Milman on People Like You (2018)

   

The Jay Vons smoothly groove on “The Word,” play Union Pool 12.1

Despite my aversion to driving, pollution, and traffic inherent to owning a car, New York rhythm-and-blues quartet the Jay Vons create music that makes me wish I had a set of wheels of my own. Their recently release LP The Word is immediately evocative of yesteryear’s Mo-Town sound, a grooving collection of songs that would perfectly soundtrack a Sunday drive on the BQE. From the record’s opening organ, to the horn-hits on misty-eyed love song “Changing Seasons,” to the spring box percussive churn of “Keep On Moving,” the Jay Vons bring the heat, laying down soulful call-and-response vocals and solid gold brass lines amidst warmly vintage guitar tones. And despite the band being beholden to the tropes of classic RnB, The Word never feels kitschy or forced, resonating instead as a contemporary take on an old-yet-still-kicking musical tradition, a record that excels with many of the instruments and sonic textures listeners are are already well acquainted with. Listen below, and catch the band at Union Pool on December 1st, alongside Holy Hive and Masino. —Connor Beckett McInerney

   

Mail the Horse ponder maturity in rock on "Gimme Gimme," play The Saint 12.15

Rock revival rascals Mail the Horse have no problem acknowledging their classic roots while simultaneously thumbing their noses at the past. The band’s forthcoming self-titled record is explicitly influenced by Sticky Fingers-era Rolling Stones, but rather than embrace the youthful hedonism seemingly inherent to rock and roll, the New York quintet flip the script, both lyrically and instrumentally. Many of the songs off their upcoming self-titled effort explore maturity and self-reflection (as the band nears its decade in existence), with single “Gimme Gimme” starting off on a “Gloria” by Van Morrison romp before turning relaxed and introspective; driving riffs take a backseat to psychedelic, meandering strums midway through the track, imploring a moment of peace before diving headfirst back into the cacophony. Get amped (responsibly) when the album drops tomorrow, and during the 24 hour lead-up, stream "Gimme Gimme" below; plus, be sure to Mail the Horse later this year at The Saint in Asbury Park on December 15th. Photo by Shervin Lainez